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Made in , well before the advent of digital special effects and computer animation, The Exorcist stands as a testament to imaginative filmmaking, a classic that still has the ability to shock and scare audiences. The scene Friedkin describes below depicts the ultimate struggle of faith as two Jesuit priests-played by a young Jason Miller and a wizened Max von Sydow-confront ancient demons, which have possessed the body of an innocent year-old girl Linda Blair.
The exorcism section took nearly a month to shoot and was filmed entirely in sequence, recalls Friedkin, who says he was only able to complete about five shots a day due to the complexity and cold temperature required. Most of it was shot with one camera, and all the sound was recorded separately because of the unusual voices and audio gimmicks.
By employing innovative mechanical effects, life-sized puppets, editing tricks, creative lighting and other techniques, Friedkin and his team created a scene that remains unique in the history of horror films. We used arc lights and troopers to light the street, in addition to boosting the practical lighting like the streetlamps.
After a great deal of trial and error, we filmed on the second night. Here is a bit of must-see The Exorcist interviews treasure: In this interview from , host Mick Garris talks with author William Peter Blatty about his novel The Exorcist and its film adaptation, and The Ninth Configuration , which he wrote and directed. It features one of the last ever interviews with Jason Miller before his death as he speaks about playing Father Karras, and brings together all of the cast and crew to discuss how they came to create one of the greatest horror films of all time all those years ago.
The documentary was featured on the 25 Year Anniversary editions of The Exorcist. Courtesy of Everything Exorcist.
Never-before-seen footage of cast and crew working diligently in silence the footage has no sound to make one of the most famous horror films of all time makes for eerie viewing.
Especially exciting for Exorcist fans who had desired such rare snippets for decades. The exorcism sequence did involve some very special problems.
The only way you can really show that kind of cold is to be able to see the breath of the characters—and the only way to see this breath is to actually have them in a very cold room.