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You nodded and smiled thro ough a short-lived meeting that could have been summed up in a time-saving, pithy piece of ele ectronic mail. Bravo, comrade. Not only does she make rad-looking products, but they also work in really cool ways — like her Ripsiraita carpet, for instance. Made from painted fibreboard, the floor cover is a snazzy alternative to plastic weatherproof mats, and actually works as an insulator on cold floors, keeping your tootsies warm all year round.
Have a squiz at hannaanonen. Sisters Rebecca and Jessica Stern are quite fond of the padlocked metal cabinets, though. After all, why would you hide those jaunty colours away?
Just try not to fling your legs around too much, lest you accidentally kick someone smack-bang in the face. You thought bathtime peaked with soap on a rope?
How were you to know that somewhere out there, in a bathroom in Melbourne, Jackie Fazekas had been toiling away to create bars inspired by terrazzo floors? Well, now you know, and you can head to fazeek. Come at us!
Send your soggiest downpour our way! Big thanks, your water-resistant pals at frankie. But did you know they also make vintage-inspired, pastelcoloured exercise books?
Get Louis into bed with this pillowcase from jiggleapparel. Do not try to lick them, though, sweet as they seem. You have been warned. You can usually find me at the studio or looking for some new threads at the op shop. When I was young, I spent many years in Papua New Guinea, which was very different to life in Australia, but the experience has helped mould me into the person I am now. The best part of what I do is travelling, because of my music and meeting all types of amazing people who feel my sounds.
In my downtime, I like staying creative.
Writing, painting, drawing, making jewellery and hanging with my friends in nature. One thing that might surprise people about me is although I enjoy being with friends and family, I love spending time by myself.
My words of wisdom to frankie readers are: I believe in you; do things full-heartedly; take chances; be around people who genuinely love you; and do what you love. These corduroy sneakers from Vans and Opening Ceremony, of course. Which are all very good things.
Find it at ginnyandjude. To keep an eye out for yourself, pop by vowstudio. Should you want to plant one on your lapel, head to frankie.
Did we mention every piece is hand-embroidered? Because they are, with teeny-tiny stitches. Their period-proof undies can be worn with other protective products or on their own, to keep all your menstrual fluids in one clean, dry place. Neat, eh? Get a load of the full collection at shethinx. You can see her skills applied to paper in the form of these sweet floral greeting cards, all of which are drawn and printed in the UK, ready to be sent off to the ones you love.
Aw, how nice. I grew up on Vancouver Island and have always been deeply inspired by the natural environment of my hometown. Would you describe your work as art or craft? I have a deep respect and admiration for craft, but there are many skilled embroidery and textile craftspeople who have studied and perfected its complex and time-honoured techniques.
Talk us through your creative process. Usually when I begin, I have very little idea what the final piece will look like.
I just get the urge to start stitching and go for it. Inspiration comes from paintings I love, landscapes, or just the serendipitous placement of thread that somehow works. The tangled backs of my pieces give a good sense of how unruly my process is!
Is there an inspiration behind our cover design? Nature, with its many forms, textures and expressions, was definitely a guiding inspiration. I wanted the piece to evoke the unruly, playful and hopeful qualities of a wild garden, without relying on any realistic representation of plants. How long did it take you to complete? What was the trickiest part? Definitely the text! But it was definitely a fun challenge. You also get these ace porcelain plates from local label Skimming Stones — designed in Australia and crafted in Arita, Japan, using year-old ceramicmaking techniques.
Go to frankie. One of them could be yours. The Dr. Which is pretty ace. These iPhone cases from Kloica Accessories feature real flowers, petals, stems and leaves, turning your mobile into a mini, portable garden. Although there are hundreds of colours between these brands, there are still more in the photographs.
Cross-stitch embroidery has been sewn directly onto family photographs, breaking them down and reforming them into a pixel structure. As areas of the image are concealed by the embroidery, small, seemingly trivial details emerge, while the larger picture and context are erased.
Are you a nostalgic person, generally?
Not in the sense that I long for the past, or think of my own past in an idealised way. How did the project start? The use of family photographs was inspired by an accident my brother had, when he was hit by a car in New York City.
Luckily, he has fully recovered, but he was in a coma for weeks. It was unclear what his memory would be like when he woke up.
I thought how strange it would be if all he had to dictate the past was a few family photographs. Photographs actually show a very incomplete picture of reality. Was that intentional?
I wanted the images to be a bit jarring. It may also be unsettling that our memories are so tied to photographs, and seeing the manipulation can be a reminder of how fragile memories are. Where did these photos come from? They are family snapshots from my childhood. I assume they were mostly taken by my mother. This project made me realise how few family photos I have. What other kinds of images have you embroidered?
One is made up of hand-sewn photos taken along the entire mile path of the former Berlin Wall; the other is a series of large-scale elementary school class photos from the s. How do you decide which parts of the images to conceal? I wanted the images to be a bit unsettling, and for the viewer to be forced to notice secondary details that might otherwise be overlooked.
Talk us through your artistic influences. I love going to decorative arts museums and looking at wallpaper and carpet design. Is it tricky to match the colours of the image with the thread? Kids in year 2 can have boyfriends.
Or two athletes who perform synchronised diving routines. This was hardly unusual. In , the Associated Press published a three-part investigation into the theft of black-owned land stretching back to the antebellum period. The series documented some victims and 24, acres of land valued at tens of millions of dollars. The land was taken through means ranging from legal chicanery to terrorism. Read more Clyde Ross was a smart child.
His teacher thought he should attend a more challenging school.
There was very little support for educating black people in Mississippi. But Julius Rosenwald, a part owner of Sears, Roebuck, had begun an ambitious effort to build schools for black children throughout the South. It was too far for Ross to walk and get back in time to work in the fields. Local white children had a school bus.
Clyde Ross did not, and thus lost the chance to better his education. Then, when Ross was 10 years old, a group of white men demanded his only childhood possession—the horse with the red coat. And they took him. Put him on the racetrack. Landowners were supposed to split the profits from the cotton fields with sharecroppers. But bales would often disappear during the count, or the split might be altered on a whim.
If cotton was selling for 50 cents a pound, the Ross family might get 15 cents, or only five. She ordered the suit by mail. The mailman arrived with the suit.
The Rosses could not pay. The suit was sent back. Clyde Ross did not go to the church program. He thought about fighting. He was drafted into the Army. The draft officials offered him an exemption if he stayed home and worked. He preferred to take his chances with war. He was stationed in California. He found that he could go into stores without being bothered. He could walk the streets without being harassed. He could go into a restaurant and receive service.
Ross was shipped off to Guam. He fought in World War II to save the world from tyranny. But when he returned to Clarksdale, he found that tyranny had followed him home.
This was , eight years before Mississippi lynched Emmett Till and tossed his broken body into the Tallahatchie River. The Great Migration, a mass exodus of 6 million African Americans that spanned most of the 20th century, was now in its second wave. The black pilgrims did not journey north simply seeking better wages and work, or bright lights and big adventures. They were fleeing the acquisitive warlords of the South.
They were seeking the protection of the law. Clyde Ross was among them. He made a stable wage. He married. He had children. His paycheck was his own. No Klansmen stripped him of the vote. When he walked down the street, he did not have to move because a white man was walking past. He did not have to take off his hat or avert his gaze. His journey from peonage to full citizenship seemed near-complete.
Only one item was missing—a home, that final badge of entry into the sacred order of the American middle class of the Eisenhower years. The community was anchored by the sprawling Sears, Roebuck headquarters. But out in the tall grass, highwaymen, nefarious as any Clarksdale kleptocrat, were lying in wait.
From the s through the s, black people across the country were largely cut out of the legitimate home-mortgage market. Three months after Clyde Ross moved into his house, the boiler blew out. His payments were made to the seller, not the bank. And Ross had not signed a normal mortgage. In a contract sale, the seller kept the deed until the contract was paid in full—and, unlike with a normal mortgage, Ross would acquire no equity in the meantime. The men who peddled contracts in North Lawndale would sell homes at inflated prices and then evict families who could not pay—taking their down payment and their monthly installments as profit.
The truth was that there was no financing for people like Clyde Ross. From the s through the s, black people across the country were largely cut out of the legitimate home-mortgage market through means both legal and extralegal. Their efforts were buttressed by the federal government. In , Congress created the Federal Housing Administration. The FHA insured private mortgages, causing a drop in interest rates and a decline in the size of the down payment required to download a house.
But an insured mortgage was not a possibility for Clyde Ross. The FHA had adopted a system of maps that rated neighborhoods according to their perceived stability.
They were colored in red. Neither the percentage of black people living there nor their social class mattered. Black people were viewed as a contagion. Redlining went beyond FHA-backed loans and spread to the entire mortgage industry, which was already rife with racism, excluding black people from most legitimate means of obtaining a mortgage. Oliver and Thomas M. In Chicago and across the country, whites looking to achieve the American dream could rely on a legitimate credit system backed by the government.
Blacks were herded into the sights of unscrupulous lenders who took them for money and for sport. During this period, according to one estimate, 85 percent of all black home downloaders who bought in Chicago bought on contract.
North Lawndale became a ghetto. Clyde Ross still lives there. He still owns his home. He is 91, and the emblems of survival are all around him—awards for service in his community, pictures of his children in cap and gown. But when I asked him about his home in North Lawndale, I heard only anarchy. He was sitting at his dining-room table. His glasses were as thick as his Clarksdale drawl. So how dumb am I? I just left this mess. I just left no laws.
And no regard. And then I come here and get cheated wide open. You could fall through the cracks easy fighting these white people. And no law.
But fight Clyde Ross did. Contract sellers used every tool at their disposal to pilfer from their clients. They scared white residents into selling low. They presented themselves as real-estate brokers, when in fact they were the owners. They guided their clients to lawyers who were in on the scheme. The Contract downloaders League fought back. They refused to pay their installments, instead holding monthly payments in an escrow account. They were no longer fleeing in hopes of a better deal elsewhere.
They were charging society with a crime against their community. They wanted the crime publicly ruled as such. And they wanted restitution for the great injury brought upon them by said offenders.
In , Clyde Ross and the Contract downloaders League were no longer simply seeking the protection of the law. They were seeking reparations. In its population was , Today it is 36, The neighborhood is 92 percent black. Its homicide rate is 45 per ,—triple the rate of the city as a whole. The infant-mortality rate is 14 per 1,—more than twice the national average. Forty-five percent of all households are on food stamps—nearly three times the rate of the city at large.
Sears, Roebuck left the neighborhood in , taking 1, jobs with it.
North Lawndale is an extreme portrait of the trends that ail black Chicago. Such is the magnitude of these ailments that it can be said that blacks and whites do not inhabit the same city.
When the Harvard sociologist Robert J. Sampson examined incarceration rates in Chicago in his book, Great American City, he found that a black neighborhood with one of the highest incarceration rates West Garfield Park had a rate more than 40 times as high as the white neighborhood with the highest rate Clearing.
The humiliation of Whites Only signs are gone. Rates of black poverty have decreased. Black teen-pregnancy rates are at record lows—and the gap between black and white teen-pregnancy rates has shrunk significantly. But such progress rests on a shaky foundation, and fault lines are everywhere. The income gap between black and white households is roughly the same today as it was in Patrick Sharkey, a sociologist at New York University, studied children born from through and found that 4 percent of whites and 62 percent of blacks across America had been raised in poor neighborhoods.
A generation later, the same study showed, virtually nothing had changed. And whereas whites born into affluent neighborhoods tended to remain in affluent neighborhoods, blacks tended to fall out of them.