Tsotsi is an angry young gang leader in the South African township of Sophiatown. A man without a past, he exists only to kill and steal. But one night, in a. Tsotsi. Free Download ruthenpress.info this is the book you are looking for, from the many other titles of Tsotsi PDF books, here is also available. Read "Tsotsi" by Athol Fugard available from Rakuten Kobo. Sign up today and The Eye of the Leopard - A Novel ebook by Henning Mankell. The Eye of the.
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Tsotsi. Best Books Study Work Guide: Compiled by Elaine Ridge for Grade 11 Butcher actively hates Tsotsi but remains a member of the gang because he. Tsotsi book. Read reviews from the world's largest community for readers. Tsotsi is a real find, by one of the most affecting and moving writers of o. Tsotsi is the approved contemporary novel for Home Language Grade This edition has been specially prepared for schools. It contains: • An introduction and .
Fiction Literature Publication Details Publisher: Canongate Books Publication Date: His career spans fifty years of playwriting, stage and film acting, and directing. He has worked in South Africa, on and off Broadway and in London. Tsotsi is his only novel. We want your feedback! Click here. Tsotsi by Athol Fugard ebook. Subjects Fiction Literature. Fiction Literature. Publication Details Publisher: Dia tak mengizinkan dirinya memikirkan dirinya. Dia tak mengingat masa lalu, dan masa depan hanya ada ketika sudah menjadi masa kini yang djalani.
Usianya setua saat ini, dan dalam satu hal, namanya adalah nama semua manusia.
Dari situlah ingatan kelam mulai menghantui dirinya. Tsotsi merawat bayi itu, membelikannya susu kaleng, dan mencarikannya pengasuh. Keberadaan bayi itu membuat ia mengingat kembali masa lalunya hingga ia mengerti makna kasih sayang tanpa kata-kata.
Rangkaian paragraf-paragraf ditulis dengan begitu liris dan gelap. Penggambaran suasana hening, lika-liku batin, emosi, gerak tubuh, bahkan hingga ke syaraf tokoh-tokohnya digambarkan dengan rangkaian paragraf yang luar biasa memukau.
Penggambarannya nyaris seperti analisis terhadap situasi dengan rangkaian pilihan kata yang luar biasa menarik. Tak salah lagi, ini memang novel sastra bermutu yang sangat enak dinikmati. Salut untuk sang pendiri dan moderator GRI Femmy Syahrani yang telah menerjemahkan novel ini Setelah novel ini diterbitkan pertama kali di tahun hampir 25 tahun kemudian seorang sutradara Afrika Selatan Gavin Hood membuat film Tsotsi di tahun Dan setelah meraih berbagai penghargaan di sejumlah festival film akhirnya Tsotsi berhasil meraih Piala Oscar untuk kategori film asing terbaik di Academy Awards Maka bagi mereka yang selalu peduli dan tergetar dengan perkara kemanusiaan sudah selayaknya membaca novel ini.
Aku tahu kau sedang bicara tentang Tsotsi Mereka yang hidup di garis ekstrim hanya dengan 2 pilihan: Membunuh atau Dibunuh Mereka yang renungannya adalah kegelapan Mereka yang akrab dengan kehampaan "Nyawa itu murah, kawan, pistol dan pisau berkuasa di malam hari," kata Nelson Mandela tentang negerinya Kukatakan kepadamu Mereka benar dalam segalanya, dalam apa adanya dan mereka akan dengan senang hati menjawab pertanyaanmu dengan darah "Ya, hanya yang paling kejam yang bisa sejahtera..
View all 29 comments. Apr 24, Lola Allen rated it it was amazing. I teach in inner London mainly boys , and I felt that my students would relate well to this novel and its characters. I was not wrong. Yes the protagonist is an anti-hero, however it gave the students the opportunity to discuss and write so many different things about him.
I admit, in the beginning I hated Tsotsi for his brutality and indifference, but I soon found out why he was this way. More to the point, by the end of this novel, all of my students had changed their feelings on Tsotsi, and admired his compassion and sensitivity. I liked the way that the ending of the story was rather ambiguous although some may say it was rather clear cut this gave students the opportunity to form different interpretations of the novel's ending.
Some going down the religious route, and looking at the ending of the story as a form of salvation and redemption. Fugard writes very well and uses some excellent language devices in his novel to bring his story to life.
Admittedly, some of the language is rather hard-going, but this only gives the students more of an opportunity to learn new and fresh vocabulary. I won't say that I loved this book it's not my kind of writing, as I'm a romance buff but I really appreciate the skill and effort it took Fugard to write this type of novel at the time that he did he couldn't publish it for a few years, due to Apartheid and it's restrictions on free speech.
This is especially poignant as Fugard is a white man, writing and speaking through the eyes of a black protagonist. Not an easy read, but a recommended one. View all 3 comments. Hugely disappointing based on the plaudits that come with it. We are led to believe this is a story about redemption but to be honest the protagonist does not change all that much and can't even take credit in my opinion for the main act of for which he is applauded.
Tsotsi is scum - simple as! Stylistically the book is also a bit of a mess particularly towards the end where Fugard appears to have crowbarred in a a conversation in achurchyard that comes totally out of nowhere and b an unremarka Hugely disappointing based on the plaudits that come with it.
Stylistically the book is also a bit of a mess particularly towards the end where Fugard appears to have crowbarred in a a conversation in achurchyard that comes totally out of nowhere and b an unremarkable ending that I had to read twice to "get" - even reading the "helpful" notes made by the author didn't help much.
For me this comes across as the type of book that well-meaning white liberals would approve of What would I feel if I were a young black South African? Not sure - possibly patronised by the writer or maybe have some feeling of gratitude that he, at least, tried to put something of the township experience in novel form.
May 25, Jan rated it it was amazing Shelves: A novel of redemption, written by Athol Fugard, one of the greatest writers of the 20th Century. Set in Sophiatown could also be Soweto in South Africa, the novel revolves around the main character Tsotsi sot-see. The word tsotsi means "thug", and that is exactly what Tsotsi is. He is a thug and a leader of a gang who nightly prowl looking for victims, enjoying the kill as much as the money they steal.
The language is rich and filled with symbolism as Tsotsi grows and changes in the story. It' A novel of redemption, written by Athol Fugard, one of the greatest writers of the 20th Century. It's a masterpiece, truly. I don't want to spoil it for anyone, so just know that I highly recommend the book; the characters are rich and deep, the images of the slums three dimensional I can hear the sounds, smell, the sour and the sweet, can visualize the prowling youth's shadows in the night and feel the pain of victims and perpetrators.
Mar 28, Lynecia rated it it was amazing Recommends it for: He is mysterious, shadowy, has no name; has no past, family, or friends, or at least no recollections of every belonging anywhere or to anyone. These cold-hearted young men prey on their people by night; robbing and murdering innocents for the little money that they work hard to earn. The package contains a baby, a baby whom he chooses to care for and slowly regains his ability to feel. He starts to make sense of the fragments of memories that the float on the precipices of his psyche.
He starts regain the memories of who he once was…His name, his past, his family, all begin to float back into his memory as the ice around his heart begins to melt. The South African government is tearing down the township with its people in it; The White minority feels that the Black townships are edging too close to their homes and the government comes in with bull dozers to mow them down, forcing the people to move from the their homes or to perish under the wreckage. Emotional and moving, questioning and psychological, and guaranteed to stir the soul yet it transcends its genre and becomes more than a political or historical novel; it becomes a story of humanity.
Athol Fugard glaubt jedoch an die Besserung und zeigt mit "Tsotsi" ein extremes Beispiel aus den schlimmen Zeiten der Apartheid.
Durch einen eher bizarren Umstand bringt Fugard aber einen Gesinnungswechsel in den Roman und macht aus seinem schlimmen Jungen einen bewussten und positiv agierenden Charakter. Sicherlich, "Tsotsi" will aufzeigen, dass der Mensch auch in schlimmsten Situationen zu positiven Handlungen bereit ist.
Zu viele Dinge passieren einfach, ohne gross logisch zu sein. Trotzdem, das Buch lohnt sich und ist ein wichtiges Zeitzeugnis aus einer dunklen Phase. Oh this book made me so damn mad! Official book reviews talk about a lost and angry young man rediscovering his humanity and compassion. Oh really? The 'hero' is murdering decent people for fun and striking terror into his community,then he tries to rape a young woman who is unlucky enough to encounter him and she escapes by shoving her baby in his arms and running for her life.
So he tries to look after the baby for a few days and that suddenly makes him a reformed character? We're meant to app Oh this book made me so damn mad! We're meant to applaud him for being a wonderful human being because he didn't just kill the baby? Oh please!
He is a murdering rapist scum who deserves the death penalty for his crimes! I hated this book for glossing over horrific crimes and making this character out to be a bloody hero when he was just plain evil.
One good deed does not erase the unspeakable things he did. Hated this book with a vengeance! View 1 comment. Sophiatown, Afrika Selatan, akhir an. Seorang kulit hitam pekerja tambang emas, Gumboot Dhlamini, kedapatan tewas di kereta yang dtumpanginya dalam perjalanan pulang.
Lelaki itu tewas secara mengenaskan. Di dadanya, tempat jantungnya bersemayam, menancap sebatang jari-jari sepeda. Ia korban aksi perampokan yang dilakukan sejumlah anak muda berandalan di bawah pimpinan seorang pemuda berjuluk Tsotsi. Dalam bahasa setempat, tsotsi adalah kata yang dipakai untuk menyebut seorang anggota gangst Sophiatown, Afrika Selatan, akhir an.
Dalam bahasa setempat, tsotsi adalah kata yang dipakai untuk menyebut seorang anggota gangster. Adegan di atas mengawali novel karya Athol Fugard.
Pria kelahiran ini, sepanjang karier kepenulisannya lebih banyak menggarap naskah drama. Drama-drama ciptannya yang cukup terkenal antara lain: The Blood Knot, Boesman and Lena, dll. Tsotsi ditulis Fugard pada awal an di atas kapal laut dalam pelayaran menuju Cape, tanah kelahiranya di bumi Afrika.
Naskah yang sempat disingkirkan oleh penulisnya ini, akhirnya diterbitkan 20 tahun kemudian dan menjadi novel satu-satunya. Dua dekade berikutnya, Gavin Hood, seorang sutradara asal Afrika Selatan mengangkat Tsotsi ke layar lebar. Fugard ikut terlibat dalam pengerjaan skenarionya. Berkisah ihwal seorang pemuda kulit hitam, kepala gangster di perkampungan kumuh di salah satu sudut kota Sophiatown. Ia dipanggil dengan nama Tsotsi.
Nama aslinya ia sendiri pun nyaris lupa. Sampai suatu malam setelah merampok dan menghabisi Gumboot, Tsotsi mengalami sebuah peristiwa yang mengubah seluruh jalan hidupnya. Malam itu, setelah menghajar Boston - salah satu anggota gengnya - hingga sekarat, di bawah sebatang pohon, seorang perempuan menyerahkan sebuah kotak sepatu pada Tsotsi.
Menyerahkannya begitu saja. Tanpa pesan. Tanpa kata-kata.
Hanya isak lirihnya terdengar saat berbalik meninggalkan Tsotsi bersama kotak sepatu yang ternyata berisi seorang bayi lelaki. Tsotsi, berandalan yang hidup dengan sebilah belati di bawah bantalnya, tiba-tiba diserahi seorang bayi. Untuk sejenak, pemuda itu tak tahu mesti berbuat apa.
Namun, hari-hari selanjutnya bayi itu membawa perubahan besar dalam hidup Tsotsi. Bayi itu memecahkan kebekuan hatinya; menyentuh relung kalbu paling dalam; menemukan kembali nama yang diberikan ibunya, yaitu David Madondo; mengenalkannya pada satu rasa asing: Melalui sosok manusia mungil itu, Tuhan mendatangkan hidayahNya. Kisah yang sebenarnya hanya menceritakan kejadian selama kurang dari 1 minggu itu, menghadirkan suasana pergulatan batin Tsotsi secara mendalam.
Pelan-pelan kita dibawa menyelami perasaan-perasaan Tsotsi, pergumulan hatinya, masa lalunya. Suatu masa paling gelap dalam hidupnya yang tak pernah ingin diingatnya lantaran hanya akan mengguratkan luka dan kepedihan: Semuanya membekas menjadi trauma, menyeretnya ke dalam kehidupan jalanan yang keras dan kejam. Perjalanan hidup Tsotsi menemukan Tuhan dan kebaikan hadir mencekam sekaligus mengharukan.
Jika ada yang mendaulat novel ini sebagai novel psikologi, rasanya kita bakal sepakat. Fugard menulis novel ini dengan sangat filmis. Setiap adegan dituturkan sangat teliti dan rinci. Dengan penuh kesabaran ia menampilkan setiap detailnya melalui kalimat-kalimat yang panjang.
Seolah tak ingin ada yang terlewat dari pengamatannya: Misalnya ini: Seorang lelaki sedang duduk di tangga pintu sebuah toko tak jauh dari situ, menggaruki trotoar tanpa minat dengan korek api.
Kerumunan sudah jauh lebih menipis jika dibandingkan dengan saat dia berangkat. Sekarang trotoar sudah cukup lengang sehingga selembar koran berminyak, yang tadinya membungkus keripik seharga 6 pence, bisa menari-nari di antara kaki. Sesekali tiupan angin yang sama berlarian dari selokan. Awan kecil debu kelabu mengepul, lalu jatuh kelelahan. Benda-benda seperti korek api kosong dan bola remasan koran bergerak tiba-tiba dan tanpa alasan, melompat-lompat melintasi setengah jalan, lalu menggeletak di situ, diam-diam berkedutan selama beberapa detik, sampai dorongan irasional lain membawa mereka menyimpang dari gerakan semula hlm Kepiawaian Fugard tidak cukup sampai di situ.
Diapun mahir menciptakan karakter-karakter kuat yang menghidupkan cerita. Maka di samping Tsotsi lantas ada Boston si mahasiswa drop out; Jagal dan Die Aap para kriminal kelas teri; Morris Tshabalala, pengemis cacat mantan pekerja tambang; serta Miriam, perempuan muda beranak satu yang suaminya lenyap tanpa kabar berita setelah peristiwa pemboikotan bus. Mereka adalah orang-orang miskin, terpinggirkan di tanah air mereka sendiri.
Tanah air kaya-raya yang menyimpan kandungan emas dan berlian di dalam perutnya. Kekayaan yang dikuasai orang-orang asing berkulit putih dengan ideologi apartheidnya. Begitupun, mereka masih terus diburu-buru, diusir, digusur oleh aparat pemerintah. Penindasan terhadap kulit hitam berlangsung setiap hari. Realitas seperti itulah yang disaksikan Harold Athol Lannigan Fugard selama masa kanak-kanaknya yang nantinya ia tuangkan ke dalam Tsotsi.
Ia sendiri adalah keturunan campuran dari ayah asal Inggris dan ibu Afrikaner. Agaknya, Tsotsi ingin menegaskan, bahwa setiap orang - penjahat sekalipun - menyimpan cinta dan mutiara kebaikan dalam dirinya, sebab kita berawal dari, dan kelak akan kembali kepada Sang Cinta itu sendiri.
Mar 29, Courtney Smith rated it really liked it Shelves: I really enjoyed this book. It provided a really interesting perspective into the Tsotsi lifestyle. Once I started reading, it was hard to put the book down. Quick, but really good read. Dec 09, Michael Cattigan rated it really liked it Shelves: Finished reading this now, waiting for students at school to catch up!
If only some damn fool of a teacher just let them read it instead of teaching it and making them do work on it!
Oh well! This is an outstanding book! The quality of the writing literally glitters on the page and the novel reads more as a poem than a novel: I have never read such a lyrical piece of writing.
The novel revolves around the character of Tsotsi, a young man who is the leader of a gang of four thugs in Sophiatown, Jo Finished reading this now, waiting for students at school to catch up! The novel revolves around the character of Tsotsi, a young man who is the leader of a gang of four thugs in Sophiatown, Johannesburg, South Africa in the s.
The name Tsotsi itself means "thug" or "gangster" and we are told in chapter one that it is a nickname: Identity is a huge part of this novel: Tsotsi's lack of identity, his inability to construct his features in the mirror into a man with meaning; and his gradual realisation of who he is and how he came to be where he is by the end. Tsotsi and his gang a clearly very shallow, violent characters lacking empathy with the people around them. Within three chapters, they have stabbed a man on a train, raped a woman in a shebeen, Tsotsi has beaten and "broken" another member of his gang and attempted to rape another woman.
He is only stopped in the rape attempt when the woman thrusts a shoebox into his hands which contains a baby. A word here about the Gavin Hood film of this book. The film updates the novel to the 21st century and seems to make Tsotsi younger and less hard than I had expected: In the book, Tsotsi is utterly remorseless: He is shown as not simply accepting violence or being violent but as defining himself through violence and the hurt he deals to others. I felt that the second half of the book was slightly less tightly structured and written than the first half.
The section in the Church and the explicit Christian message seemed unnecessary to me; and the abruptness and ambiguity at the end if the book frustrated me. In addition to the lyricism, which I mentioned before, what I did relish in the book were the minor characters: Gumboot Dhlamini, the victim on the train; Morris, whom he stalks in the middle of the book; and Miriam whom he forces to feed the baby. The power of these minor characters, inhabiting the furthest outskirts of society, is extraordinary.
Their desperate perseverance to keep hold of their lives, whether toiling in the mines or crippled on the streets or waiting for a husband who will never return home, is genuine and authentic and utterly convincing. This is a hugely character driven story and, from what I recall, Fugard makes them more than mere ciphers.
The small moments of challenge between Tsotsi and Boston in Chapter One reveal Fugard's theatrical background. Very lucky to have a job where reading books like this is "work"!
A glacial white" in which the sounds become "hard, leaping, crystal" and the moonlight "lay around him in pools Mobile as quicksilver". An absolutely stunning otherworldly perhaps drug induced description. And a moment later, Tsotsi will have the baby that will change his life thrust into his hands.
Jul 26, Richard Jr. High Schools, Colleges and persons who like to think about humaninty and the conscience. Author Athol Fugard has captured the true essence of disenfranchised criminal African youth in the townships of South Africa during the Apartheid era. The descriptions of the daily life of Tsotsi, the leader of a small criminal gang and his compatriots is, in many ways, similar to Steinbeck's "Tortilla Flat.
The b Author Athol Fugard has captured the true essence of disenfranchised criminal African youth in the townships of South Africa during the Apartheid era. The book also reminds this writer of Golding's "Lord of the Flies. There is no conscience involved in the acts, only the necessity of doing them on a daily basis in order to perpetuate the flow of money needed for food and drink.
In robbing and murdering the members of their own township, the gang members revel in seeking out the weak, less fortunate or unsuspecting members of their own kind. In so doing, the gang helps perpetuate their own miserable lifestyle. Instead of directing this anger towards their white oppressors, the gang, by its violence, gives the white population its justification for continuing the oppression of Apartheid.
The lack of any social conscience in Tsotsi, and the shutting out of his own memories of family and feelings for others leads to a crisis within the gang that changes everything. In one violent outburst, Tsotsi vents his anger on the most educated and likable member of his gang.
When he realizes what he has done, a twinkle of conscience creeps into Tsotsi's mind and keeps popping up despite all his efforts to push it back into a comfortable corner of his brain and ignore it.
With this awakening comes a desire to seek out any remnants of his earlier life prior to running away and joining a gang. He begins a quest to reestablish contact with his past.
In a cascade of new conscience driven actions, Tsotsi adopts an abandoned child, finds that he has taken on responsibility and pays the price for caring about other human beings. A chapter a night is enough to cogitate on with this book. Read it slowly and think about how it relates to our lives today.
Tak terbayangkan negara yg begitu jahiliah berhasil menumbangkan pemerintahan apartheid dan berhasil pada tahun lalu menjadi tuan rumah Piala Dunia,bandingkan dengan Indonesia yang saat ini masih ribut soal ketua umum federasi sepakbola Pengalaman hidup memang akan membentuk jiwa seseorang,tapi pada dasarnya setiap man Kelam Pengalaman hidup memang akan membentuk jiwa seseorang,tapi pada dasarnya setiap manusia memiliki hati nurani disadari atau tidak.
Tsotsi,anak yg kehilangan ibunya dari tempat tidur diwaktu malam,telah ditinggal ayahnya bertahun2 tanpa kabar,hanya dgn harapan dari kata2 ibunya "suatu hari nanti..
Melarikan diri dari ketakutan,bergabung dengan geng anak jalanan,membunuh hanya utk sekeping penny atau karena sdh memutuskan utk membunuh tanpa alasan apapun. Tsotsi tidak ingat siapa dirinya,siapa namanya,sampai pada satu titik dimana ia menemukan dirinya kembali,mengingat namanya, kemampuannya untuk mengampuni,merasa iba dan bahkan memutuskan merawat seorang bayi yg tanpa sengaja diserahkan padanya.
Selain tsotsi,kisah2 orang2 kulit hitam lainnya tak kurang perihnya,ada Boston yg juga terhempas kehidupan. Boston sang bintang kelas,juara,penerima beasiswa,dikeluarkan dari sekolah krn memerkosa seorg mahasiswa hanya krn ketidaktahuan cara bergaul antara pria dan wanita.
Morris Tshabalala,pengemis cacat tanpa kaki,setengah manusia,little man,target pembunuhan tsotsi. Morris bertanya pada tsotsi "mengapa kau memilihku tsotsi?
Cuma itu?.. Tsotsi membatalkan niatnya untuk membunuh. Dec 17, Anastasiya Yeremenko rated it it was ok. I personally did not enjoy this book. I was forced to read this for school, and the teacher said that the main character "Tsotsi" was going to change religiously at the end. In my perspective he had barely had changed. The ending seemed pointless. I feel like the smile was a symbol for something but I honestly could not identify what it meant.
I would recommend this book for people who like books with very good imagery. That's probably one of the reasons I didn't like the book, it almost seemed o I personally did not enjoy this book.
That's probably one of the reasons I didn't like the book, it almost seemed over descriptive. Another good thing about this book was that it was a fast read, but it was kind of hard to understand.
I had to reread many times to fully understand what was going on. I enjoyed this book from the African words a. The book was about a guy named Tsoti, which means thug in African.
He is in a gang. One of the gang members named Boston always asked Tsotsi about his past and who he was.
This pissed Tsotsi off a lot so he ends up beating up Boston. Then he runs tries to rape a lady, who hands him a lovely shoe box. The baby is another symbol in the book and somehow helps him get flashbacks of who he was. The flashbacks are pretty intense. He remembers his name, and his parents. After finally discovering he was he decides to change, talks to Isaiah in the church yard. Isaiah invites him to church.
But later that day Tsoti dies saving the baby. I feel like I missed the whole point to the book being good because a lot of people seemed to like it.
Mar 09, Mervyn Koots rated it it was amazing. I know Fugard only as a playwright but this is quite extraordinarily good prose. I had long meant to read it and am really pleased I finally got to it. The depiction of characters across the spectrum, during a strained period of South African social and political intercourse, is perceptive and thoroughly engaging.
The writing is economical, moody, penetratingly accurate, and reveals a writer at the threshold of greatness. This kind of writing should be studied by any South African wri Brilliant. This kind of writing should be studied by any South African writer trying to write prose, let alone anyone else out there. Fugard observes with uncanny accuracy the rough edges of his milieu, as well as the tenderness that lurks within - sometimes very deep down. I recently read a collection of South African short stories where there was a depressing lack of what I hesitatingly call a 'South African' sensibility OK, OK, I know that that formulation has a few problems, but I'll throw it out there for further discussion - space precludes elaboration right now - the main thing is that I value Fugard's ability to listen to the real people around him - at that stage in his career, anyway - and imbibe the nuances of language and social interaction and cultural richness that lies all around, and at the same time I despair when writers try and write characters and plots 'at their desk', as it were, without getting out and into the dust of the society in which they locate their stories.
This kind of writing makes me want to go and re-visit Fugard's plays. Dec 17, Ben Fleagle added it Shelves: The idea for this book is brilliant. Sadly, Athol Fugard ruined a perfectly witty idea for a book with a a terrible writing structure. When Athol was getting his degree in creative writing I'm pretty sure all his professor taught him was types of imagery.
Athol takes a perfectly good scene and ruins it by dragging out each and every step. I swear a few times he spent three pages writing about Tsotsi walking across a room. The chapter where Tsotsi learns about his past is 28 pages long.
I'm sorry The idea for this book is brilliant. I'm sorry but that chapter was 28 pages too long. He spends 28 pages explaining a story that should take 10 pages. Overall a good idea, it richly explains the slums in South Africa, something which we all need to learn more about. Overall, not worth the read unless you enjoy books overloaded with imagery. View 2 comments. Jan 04, Jeanette rated it really liked it Shelves: Tsotie is a moving psychological mystery occurring over the space of three or four days in late s Apartheid South Africa.
Tsotsi which means "thug" is a child of the townships, profoundly affected by repressive policies of pass laws, segregation and township clearing. He remembers nothing of his past and no longer feels anything until one disturbing night he ends up holding a baby in a shoe box. The baby stirs a deep memory that starts Tsotsi's past unraveling and leads to surprising conse Tsotie is a moving psychological mystery occurring over the space of three or four days in late s Apartheid South Africa.
The baby stirs a deep memory that starts Tsotsi's past unraveling and leads to surprising consequences. Fugard digs deep into the psyches of both his major and supporting characters, revealing the pathos and struggle of their lives, but also their courage, compassion and strength. While I might have wished for a different outcome at the end it is always harder to live a new life and start again , I found this a gripping, thought provoking book, well worth reading.
Oct 29, Molly rated it really liked it. Very powerful! The author's choice of words and events was astounding. Tsotsi is my definition of a well-crafted piece of literature. Everything is in some way connected to the story. I think the interesting and somewhat startling choice of events was very powerful and eye-opening to the horrors of apartheid.
The main character, Tsotsi, is one that readers will grow fond of over the course of the story as he goes through immense changes.
The ending would not have occurred to me at first as a way Very powerful! The ending would not have occurred to me at first as a way to end the story. The ending reflects Tsotsi's mindset for most of the story. Alas, I shall reveal no more!
The movie was also good, but make sure to read the book first, as they don't have much in common. Mar 03, Cindy rated it it was ok Shelves: A south African murderous thug remembers his past and reconnects a bit with his soul after acquiring an abandoned infant.
I watched the movie first which had significant plot changes from the book, though many scenes were similar.