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The style of Nageire, after a long, hard struggle for existence as a dependent of Rikkwa, branched off, became independent and very popular. It was welcomed by the people of the sixteenth century for its freedom of line and natural beauty. So that while these two branches both started in the Higashiyama Age, Rikkwa better represents the taste of that time, while Nageire gives us a truer idea of the taste of the Momoyama Age. In short, Rikkwa was slighted in the Momoyama period, but in the first part of the Tokugawa Age it was revived and became more popular than ever before.
In the Higashiyama Age Rikkwa was used only as room decorations on ceremonial occasions, but it now was followed as a fine art and looked upon as an accomplishment and pastime of the upper classes.
It has always been considered a dignified accomplishment. That men like Hideyoshi and Yoshimasa, two of Japan's most famous generals, found benefit in the practise of Ike-bana shows that it is valuable training, even for the masculine mind. Rikkwa reached its greatest popularity during the Genroku Age.
There were many works on Ike-bana published in the centuries from Kenei to Genroku The first was a book called Sendensho, published in the early part of Kenei, and there were many others, but none of much value to the student of flower arrangement. They gave few rules and their chief object seemed to be to withhold all information. They were all founded on Soami's idea of the three elements.
Finally a most valuable book was written by Ikenobu, called Kandensho. This was carefully written and very instructive, with rules and principles freely given. In the Kenei Age Rikkwa was simple and natural, with no extreme curves, but in Genroku the lines of the arrangement became complicated and the forms pattern-like. This was an age of utmost elegance. All the fine arts were highly developed, above all pattern-printing for fabrics and decoration.
In the later part of the seventeenth century Korin, the famous lacquer artist and essentially a creator of exquisite designs, strongly influenced Ike-bana. At this period the combination of a pattern or design in flower arrangement, with lines which followed the natural growth of the plant, produced the most pleasing and graceful results.
It was in this later part of the seventeenth century that Ike-bana was most practised and reached its highest degree of perfection as an art. This occurring at the end of the period caused a feeling of disgust with Rikkwa, and Nageire again revived. Until then only one branch of Ike-bana had been taught at a time, and this followed the taste of the day; but now rival teachers in both Rikkwa and Nageire existed.
Rikkwa reached its greatest popularity in the Genroku period, and also then commenced its decline. From the decline of Rikkwa, Nageire, the origin of the present Ike-bana, grew in power.
From this time on it ceased to be called Nageire and took the name of Ike-bana.
In the Tenmei Age Nageire or Ike-bana advanced rapidly in favor and developed great beauty of line. At this date the exponents of the art not only studied nature freely, but combined this knowledge with that of Rikkwa, the result bringing Ike-bana to a very perfect state of development. After Tenmei the purest and best taste in Ike-bana began to diminish and a formal and artificial form of arrangement came into existence.
They feel that the rule of Heaven, Earth, and Man, too obstinately adhered to, gives constraint and spoils naturalness of arrangement.
It is absolutely necessary to use these fundamental principles in order to achieve a well-balanced arrangement, but to accentuate and exaggerate these lines is looked upon as poor taste by the admirers of these more natural schools. Therefore these lines must not be made so strong as to obliterate the natural form of the plant.
This commit is important, because it gives purists an avenue to revert modernizing changes to the original text. Any change you make to the source text that can be considered a modernization or editorial change should be prefaced like this, so that the git history can be easily searched by people looking to revert changes.
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In Albert Edelfelt painted a portrait of Louis Pasteur in a laboratory. A crop of the lab equipment would be a good way to represent Dr. The cover file itself, cover.
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