Pattern making fashion design pdf


Patternmaking for Fashion Design, Fifth Edition Views 79MB Size Report. DOWNLOAD PDF FASHION-able: Hacktivism and Engaged Fashion Design. Joseph-Armstrong, Helen - Patternmaking for Fashion Design, 5th Ed - Ebook download as PDF File .pdf) or read book online. pattern. Patternmaking for Fashion Design, Fifth Edition - Free ebook download as PDF File .pdf) or read book online for free.

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Pattern Making Fashion Design Pdf

Patternmaking for Fashion Design book. Read 56 reviews from the world's largest community for readers. Renowned for its comprehensive coverage, exception. Title: Patternmaking for fashion design, Author: Ana Barberán, Name: Patternmaking for fashion design, Length: pages, Page: 1. Editorial Reviews. From the Back Cover. Renowned for its comprehensive coverage, exceptional illustrations, and clear instructions, "Patternmaking for Fashion.

It features both the slashing method and pivoting method so suits both types of user. The illustrations have not been updated for this edition, and are very much still quite "naff" for want of a better word! I was looking forward to having the dvd to explain stages clearly as you go along step by step but it is such a bad dvd that I don't know why they bother including it. It is poorly narrated and basically just a video camera pointing at some of the patterns inside the book, there is no step by step, no highlighting and no physical pattern making so please be aware of this when downloading as it will sway a lot of people to download the book but its disappointing! Also-if you are getting this book, try to order in hardback or in folder type-honestly the quality of the paper inside is horrendous and in time will rip and wear- imagine a very cheap printer paper, this is worse.

This gives an indication that the lowest number of respondents had tertiary education whiles majority of the dressmakers were educated up to second cycle level and went through apprenticeship without any formal skills acquisition or training in an institution for an in-depth knowledge about the trade. Those respondents, who had just basic education, also went through apprenticeship, and the rest who had no education at all, learnt the trade through apprenticeship.

This is because those who use patterns learnt it whiles they were in school. This brings to light how deficient it was on the part of respondents who learnt the trade from their masters with inadequate or in-depth knowledge of the trade. The survey again revealed that, because dressmakers do not have interest in pattern making, a whopping majority of On the perception that bought patterns are difficult to read and trace out, Some garment patterns, particularly in couture design, are constructed by draping on the dress form.

However, pattern cutting from blocks or adaptation of existing patterns is now widely used in the fashion trade because of its accuracy of sizing and the speed with which ranges can be developed [7]. However, Analysis made on drafting tools dressmakers use, gave a clear indication of how dressmakers are ready and willing to adopt strategies to learn how to make patterns, even though they perceive pattern making as challenging and would not waste time on it.

Respondents who were willing to download tools needed for pattern making formed Hence there will be the need for them to work with celebrated instructors in flat pattern making in fully-equipped studios, as this will inspire them to learn all they need to know about flat pattern making. Again, dressmakers agreed that, learning how to make patterns would help solve the problem of fabric wasting thereby boosting productivity whiles raising their income levels.

So they would have to work through the process of measuring the body accurately, creating a flat paper pattern, mocking the draft out of calico and fitting on a three dimensional figure. Analysis made fromthe data gathered clearly indicates that, Another On the part of acquisition of skills, it was obvious from the result that Only Analysis made on drafting tools dressmakers use gave a clear indication of how dressmakers are ready and willing to adopt strategies to learn how to make patterns, even though they perceived patternmaking as challenging and would not waste time on it.

Patternmaking for Fashion Design by Helen Joseph-Armstrong

According to Knowles [10], prominent fashion designers have accepted the fact that there are challenges associated with pattern making.

Also, understanding instructions for pattern making is another factor that will give the pattern maker the knowledge of proportioning pattern styles to the size they are working with.

Measurements taken from live models, that are used to draft flat patterns for slopers must calculated and plotted so well that they can be used to create unlimited and sophisticated styles.

This confirms the fact that, even though dressmakers had a fair knowledge of flat patterns in the fashion trade, they have limited knowledge in terms of its significance. Burke [27] asserts that as a fashion designer, one of key challenges is to translate a 2D fashion sketch and conceptual designs into 3D garments.

According to her, it is vital tounderstand the dynamics of patternmaking as it is the most important factor leading to the final acceptance or rejection of any garment. Fashion trends are the styling ideas that major collections have in common.

They indicate the directions of colour, textiles and styling, in which fashion is moving [28]. This is because; most dressmakers perceive flat pattern making as time consuming, energy and paper wasting.


Again, the Interview revealed that challenges dressmakers face when making patterns, was due to inadequate skills acquired during apprenticeship and lack of technical know-how when it comes to the making of patterns.

They wereindeed handicapped in terms of pattern making skills. Results of the observationsdone in various shops visited revealed that most of the dressmakers chalk mark direct on to fabric before cutting out. Again observations gave a clear indication that, challenges encountered during apprenticeship compelled dressmakers to chalk mark unto fabric instead of using patterns for cutting out. It also assessed the challenges associated with the use of pattern and suggested strategies to help dressmakers to overcome the challenges of using flat pattern.

Patternmaking for Fashion Design

Findings from the results indicated that, most dressmakers in the Ho Municipality had little or no knowledge about flat pattern use in the fashion trade. Hence its use for cutting out wasnot common. The few who had an idea about it perceived it as difficult and time consuming.

There was a clear indication from the findings that, dressmakers lack the skill of taking standard and accurate measurements for drafting. This consequently lead to the use of free hand or the direct method of cutting out. As portrayed by the results of the findings, dressmakers saw the usefulness of patterns used in cutting out so were ready to learn.

Among these strategies were downloading of pattern making tools and taking some time off their busy schedules to attend workshopsto learn or finesse the difficult areas of pattern making to enhance their skills. Majority of the dressmakers did not appreciate the significance of using flat patterns for cutting out. It was also obvious from the findings that, only dressmakers who had formal education and uses flat patterns for cutting out were conversant with flat patterns hence knew the significance of using them.

It was also apparent that most dressmakers chalk mark on fabric before cutting out because that was the skill they acquired during their apprenticeship. Man-Made Textiles in India, 51 11 , p, USA: Wiley-Blackwell, New York: Fairchild Books, London: Blackwell Science Ltd.

New Jersey: Pearson Education Inc. London: Blackwell Ltd. New York: Fairchild Publications, Inc. UK: Greenleaf Publishing Limited, When fashion is spoken about, it is often the design process that is emphasized, as it is the latter we see more easily in fashion images. A design background helps when learning patternmaking as drawings can be understood and transformed into patterns more easily. Whether you are in the fashion world or simply DIY fans, learning how to cut patterns on the flat will be most useful to you.

Before approaching the fundamentals of making clothing patterns on the flat, it is essential to read the first few pages to really comprehend how to start making your own patterns as simply and precisely as possible.

Do not throw yourself in without taking the time to read and reflect because a pattern is made with rigor and methodology, and the latter needs to be learnt by respecting certain rules. To make the learning process as simple as possible, each book has been compiled in exactly the same way, with namely: a title indicating the pattern to be made, an illustration giving the best idea of the finished piece, a detailed technical diagram for an in-depth analysis of the garment in question and then how to make the pattern for it in step by step fashion.

At the end of each book there are chapters that explain in detail how to finish each pattern seam allowances, lining, different pockets etc…. Once the fundamentals are mastered, flat patternmaking will no longer be a mystery to you and this approved and guaranteed technique will become your benchmark. We provide copy of Atlas Des Techniques Mecanistes En Volume 1 in digital format, so the resources that you find are reliable.

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