Go ahead, download all of these 23 photography e-Books and PDFs for free. E-Book Gratis. Lighting Fotografi. Display: «; 1; 2 ·». Sort By: -, terbaru ⇒ terlama, terlama ⇒ terbaru, A ⇒ Z, Z ⇒ A, termurah ⇒ termahal, termahal ⇒. In Travel Fotografi you could improve your eye and seeing skill by attending our workshop, Basic; Apprentice; Ultimate; Post Processing; eBooks; Workshop.
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Noorizam Sabran dah lancarkan Ebook 33 Rahsia Merakam Gambar Terbaik khas untuk beginner yang ingin memahami apa itu fotografi dan. Ikke glem at riktig ernæring er bare det første trinnet i vårt program for å beskytte og styrke hjernen. Uansett hvor mye nytte du allerede har oppnådd, ikke forsøm. Kisah mata: fotografi antara dua subyek: perbincangan tentang ada. Edition/ Format: eBook: Document: IndonesianView all editions and formats. Rating.
I would like to let you know also that to get the colors like the picture that I share with you here take a lot of combination from different editing method. There is no rules which one you must do first or which one you want to do last.
It is a combination and that one will take time to learn and master, I cannot teach people how to be creative, I can only show you the way. Just like Photography, Editing will take years to master but hopefully with my eBook, I can save your precious times, take this eBook as a guideline and from there find your own way since there are many ways to do things in Photoshop to get the result that you want.
Editing is an Art in Itself, knowing how to use certain tools in Photoshop is not the same as how you use it, same like Photography knowing how to use Aperture, Shutter and ISO is not the same as how you use it. You can learn more about Photography and Colors from Mitchell Kanashkevich eBook entitled Captivating Colors which will guide you among others the importance of colors in Photography and later on you can get my eBook and enhance those colors to the max. The internet is an amazing tool for communication.
Wazari has written several ebooks on photography and postprocessing work with photoshop which I have learned much from.
I offered to review the title and provide an example of his approach to processing with one of my images. Yesterday afternoon Maddie needed some more photos to use for her senior pictures.
We went out on the back lawn and shot these in the shade during midday to avoid the harsh light. I used the mm lens to add some compression to the background and increase the bokeh. In his most recent ebook, he walks you through the use of ACR in Photoshop, which is equivalent to the Develop module in Lightroom. By adjusting vibrance, clarity, luminance and black point it provides a richer image. However, the real magic happens in Photoshop PS when you add layers of mode, lab color and sharpening.
This can be a little tricky for someone with no PS experience. But if you can open an image in PS and find your way around a bit, his directions are very straightforward and easy to follow — complete with screen shots for each step. The best part, once you learn these simple steps you can tweak them in an infinite number of ways to create a processing style all your own.
Captured with: Natural light, hand-held in our backyard. You can see how the colors came out, vibrant. Thanks again. Afzal Effendy Pak Bear Pakbearuang yahoo. Boleh dibuka tanpa masalah. Semua memuaskan hati… dan respon pun cepat…tak sampai 10 minit saya send email…. Dengan menggabungkan kedua — dua ebook ini, saya berupaya mendapatkan tone yang cantik untuk setiap gambar yang sy edit.
I like to ask to take photographs. What I try to avoid is having someone just look at me and pose for me with a peace-sign. Where you from? How would you describe your personal style? Direct your subject If you ask for permission from your subject, know that you can also direct them. I generally ask them to stand against a simple background, and try to get them to do an interesting hand-gesture.
To get a subject to do an interesting hand-gesture, I ask them about their sunglasses, their hair, or even their watches. Can you keep wiping his forehead? You can either look for an interesting background, billboard, leading lines, and create a juxtaposition with your subject who walks by it or somehow interacts with it.
Sometimes you catch a lot of fish. You never know—but the skill to have is patience. Rather, they shoot from the side. If you want to make photographs that are a lot more engaging, full of energy, and dynamic— shoot head on. So the way you can do this is walk down a crowded street, stop somewhere in the center, and wait for people to walk head-on towards you. Then after you take the photos, play dumb, and move on. What I suggest is putting your camera to manual focusing, and pre-focus to the background whatever is furthest away, between 3—5meters.
Then try to incorporate more subjects into your frame— the foreground, middle ground, and background. A good photographer to study is Alex Webb, who does this extremely well. Embrace negative space I am more of a minimalist and prefer having negative space in my photograph. Where to add negative space? My suggestion is to just use it intuitively — if your frame feels too crowded, add more negative space. Furthermore, you can add more negative space to your photograph by capturing dramatic shadows.
Shoot either at sunrise or sunset, or shoot in the bright light with —1 or —2 exposure compensation.
A great photographer to study who uses minimalism, negative space, and shadows well is Rinzi Ruiz. Minus exposure compensation This is related to the prior technique.
The idea is to put your subject into the bright light, and set the exposure-compensation of your camera anywhere between —1 and —3. Leading lines Leading lines can be found anywhere— from alleyways, to street poles, to parks, or even drive-ways. An easy way to incorporate leading lines is to first identify the leading lines, and then wait for the right subjects to enter the frame.
Subtract from the frame The last tip is remember: what you decide not to include in the frame is more important than what you decide to include in the frame. What is a distraction at the edges of my frame?
What should I decide to keep, and what to ditch? Try a combination of these techniques, or if you want to practice, just focus on 1 of these techniques in a day. The more tools you add to your street photography toolkit— the more prepared you will be for certain shots.
Even though we all have different styles and approaches, trying something outside of your comfort zone will help you grow and develop as a photographer and human being. So be brave friend, go forth, and make beautiful photos!
Here are some practical tips I have in shooting candid street photography: 1. For example, if you want to take a photograph of someone, by moving your camera too quickly to your face, you will give yourself away. Assignment: Keep your camera close to your eye A solution: try to have your camera really close to your face. This way, when you want to make a photograph, the distance between moving your camera to your eye will be very short.
If you have a camera neck strap, tighten it very close to your chin. Then you can quickly bring up your camera to take a photograph, without attracting too much attention.
If you use a wrist-strap, walk with your camera close to your face. Then when you want to take a photograph, you can just move your camera very subtly to your eye, and click a photo.
Because with an LCD screen, we look more like a tourist. Not only that, but it is less obvious who we are taking a photo of. I used to do it a lot, but the problem if you can never frame accurately. Rather, try to shoot without your viewfinder, but just use the LCD screen if you have one.
The funny thing is that you can stand really close to someone, and still take candid photos of them not really noticing.
Just look at your subject through your viewfinder or LCD screen— avoid making eye contact. See their reaction.
Rather— try to go to the most crowded area of town. That might be in the downtown area. Or perhaps at a mall. Or maybe at the city next-door. The benefit of shooting in a crowded or touristy area is that you disappear into the crowd. Assignment: Look like a tourist Another assignment you can do is to look as much of a tourist as possible. Wear a bright-yellow fanny-pack.
Generally I find more people will ignore you, or not really give you any flak for shooting in the streets. The concept is that you walk around the streets with your camera glued to your eye, or your eyes glued to your LCD screen.
Assignment: degree video Try to go to a busy area, and stand in the center. Then hold your camera to your eye or LCD screen up, and turn around degrees and slowly take photos all around you. See how others react to you.
This is often how Henri Cartier-Bresson got a lot of his famous shots the bicycle shot comes to mind. He would pre-visualize his composition, setup his framing and camera, then just wait for someone to enter the scene, to complete the image. The more patient you are, the more likely you are to catch a good fish. That is the first time I frequented your website page and up to now?
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