The art of color itten pdf


book, The Art of Color, published in Germany in This profundity of Itten, by advice and example, draws. The larger work has been translated into French. File:Itten Johannes The Elements of (file size: MB, MIME type: application/pdf). Adolf Holzel exercised an important influence on modern art with his theory of color. Now with his ART OF COLOR Johannes Itten makes a contribution.

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The Art Of Color Itten Pdf

Kunst der Farbe by Itten, Johannes, December , Wiley edition, in English. I love this book, and would recommend it to anyone into color theroy. Itten is a color genius, and this book proves it. The Elements of Color by Johannes Itten. johannes itten the art of color pdf - Google Search. Johannes Itten, Bauhaus Art , Color Studies, Walter Gropius, Paint Color Palettes,. More information.

What would the world be without color? A dull, joyless melange of shapes without vital meaning. As a flame produces light, light produces color. As intonation lends color to the spoken word, color lends spiritually realized sound to form. Over the years numerous color theories have been published:

The Art of Color

Although never published before, the Itten theory already underlies progressive art education all over the world. In this book Itten examines two different approaches to understanding the art of color.

Subjective feelings and objective color principles are the two poles which are described in detail and clarified with numerous color reproductions. The key to this knowledge lies in the color circle and the seven color contrasts which are found on pages The problems of visual, emotional and symbolic color effects are carefully explored with numerous color illustrations. The systematic color exercises are followed by outstanding reproductions of paintings by the great masters - 28 large size, four-color plates - which offer insight into all the epochs of Western painting from the early Middle Ages to Klee and Picasso.

Johannes Itten - The Art of Color

With each reproduction is one of Professor Itten's famous analyses which proves how conscious awareness and use of color contrast has been an important means of expression. This gives an extraordinary approach to the understanding of expressionistic painting. It also represents the crowning point of the book for the viewer of art. According to Itten composition implies brining two or more colors together in such a way that they harmonize to give an expression unambiguous and full of character.

It could only be done by producing the various color plates by entirely different printing processes, which had to be done by several printers, and then tipping them into the book. When a reprinting was planned in , it had by then become possible to make use of the advanced technical developments in offset printing, and the entire book was produced by this printing process.

If you are a designer or art monger, you owe it to yourself to read this book. It is a discription of his Basic Course everyone had to take it The Color Star by Johannes Itten This an absolute must for all people who work with fibre, paint or just want to understand colour.

The ultimate colour wheel. Kepler spent his life observing planetary motion, and distilling his observations down to simple laws of gravity.

Change planets to color, and gravity to human vision, and you have Josef Albers. This book describes the gravitational laws of color. It has the whiff of simple perfection: It is the bible of color interaction, and will remain so until an Isaac Newton comes along and explains these laws further. In the rare book collection, I had a look at the first edition, from It's this enormous book with lots of colored paper and plates for you to experiment with.

I really wish it were still in print I'd download it at once. The Prints of Josef Albers: A Catalogue Raisonne collects the graphic works of the legendary abstract artist and Bauhaus design teacher. Early woodcut self-portraits, increasingly abstract lithographs, the famous Homage to the Square, and 10 prints that are the beginning of Albers's experiment in color are all featured here, as are the posters, album covers and greeting cards that Albers created toward the end of his career.

The pieces were culled by Brenda Danilowitz, chief curator of the Josef and Anni Albers Foundation, who's written a lucid introductory essay on the evolution of Albers's oeuvre.


Toward a Psychology of Art: A Study of Composition in the Visual Arts: The author either tries to impress you with his knowledge of the english language or confuse you with the ideology behind his observations in artistic composition. I found the book to be very confusing and at times boring enough to put it aside and read something else.

The author does relate some good input when critiquing paintings but you need pay complete attention to the beginning of the book in order to understand his complicated formulas. It is definetely not an easy read, and not for the artist. This book is for the art critic who tries to find scientific formulas for the study of composition.

Chevreul, is unquestionably one of the greatest books ever written on color; the first English translation is reprinted here with the original color restored and an introduction and explanatory notes by Faber Birren, the leading color authority of the present time. Chevreul's book dominated the schools of Impressionism and Neo-Impressionism, and exerted profound influence on later schools of painting including today's Op Art.

Chevreul set forth principles that have become basic in color training throughout the Western world.


In his illuminating commentary Mr. Birren shows how many of Chevreul's ideas on color harmony, contrast effects, optical mixtures, and legibility have been validated by modern scientific research in visual perception. Birren also provides a helpful glossary of Chevreul's terminology. Lavishly illustrated, the volume contains many color plates, including 15 plates from the original French edition, photographs of Gobelins tapestries, and full-page reproductions of outstanding Impressionist and Neo-Impressionist paintings.

Essential as a reference book for artist and art educators, this volume will also be a source of fresh inspiration for fashion designers, interior decorators, and all others concerned with color in any medium-and it makes good reading for all those interested in the history of men and ideas. Color and Culture: Practice and Meaning from Antiquity to Abstraction by John Gage Reviewer from Mesa, Arizona, USA This book is an excellant source of palette development, pigment uses and development as well as color theories throughout history.