Spalovač mrtvol. První rozhlasová dramatizace slavného románu Ladislava Fukse z roku Hra o tom, jak se z obyčejného, spořádaně žijícího člověka. Movie Analysis: Spalovač mrtvol (eng. The Cremator) - Download as Word Doc . doc /.docx), PDF File .pdf), Text File .txt) or read online. Spalovač mrtvoli is. First published as Spalovač mrtvol, by Československı spisovatel,. Prague, All rights reserved. No part of this publication may be reproduced, stored in a.
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PDF | Ladislav Fuks, "Spalovač mrtvol" | ResearchGate, the professional network for scientists. Request PDF on ResearchGate | Unreliable narration in fiction by Ladislav Fuks | The (), "Variace pro temnou strunu" () and "Spalovac mrtvol" (). The Cremator (Czech: Spalovač mrtvol) is a Czechoslovak horror comedy/ drama film . Print/export. Create a book · Download as PDF · Printable version.
Before you download, take a look at our offer below. Spalovac mrtvol download games. A Czechoslovakian man who loves working at his crematorium begins to take the advice of an old war buddy concerning the importance of his German heritage and the issue of his half Jewish wife.
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Spalovac mrtvol Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late s.
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In this essay I will look at the film from perspective of psychoanalysis. I will be special focused on the main protagonist, Mr. Kopfrkingl and the change of his psychical state. Second, based on the outline I will analyze how the changes of environment has changed protagonist psychical state and eventually transformed it from middle class, family oriented men to murderer and co-operator of Nazi Germany final solution.
Fuks was a student of a philosophy and psychology, what is also seen in his book, which is full of psychoanalytical motives. Fuks and Herz were worked on the screenplay together for two years; consequently the film is a faithful reflection of the book. It is a mix of psychological horror and black comedy. It was in , and I had absolute liberty in my work.
I could film whatever I wanted to.
The entire movie is filmed from the perspective of main character, a professional cremator. All the other characters have very limited dialogs are expressed only in the relation whit Karl.
The focus on the main protagonist allows us to understand the development of his behavior, and how he is dealing whit changes in environment. His personal psychological also has allegorical meaning for the society in general. Thus the movie represents two levels — individual whit his social boundaries and his drives demands and social whit the moral and social rules.
The beginning of movie is also an introduction to psychoanalysis. It starts in the zoo, at the leopard cage. This scene is marked by a fast changing of close-up shots between people and the animals. The audience is faced whit comparison, between the man and the animal through the different matching elements the hat of the woman — the head of the bird, eyes of the man — eyes of the lion, skin of the snake — wrinkles on mans forehead. This comparison is followed by text: Freud describes it as everything that is inherited, what is part of our construction and comes with a birth — drives derived from biological construction.
It is in greater part unknown to us. Eros and the destruction force. The primary objective of Eros is to establish and sustain bigger organic forms, while the destructive drive works in opposite way by destroying organic systems and ultimately bringing them back to inorganic form. Freud name it part ego, the part that is the most known to us, something that man is identify with.
His basic role is self sustainment, to deal with the influences of external world.
Hence ego permanently has to make a choice: Ego is also under third influence, superego. Superego is result of long period of upbringing in human society, where under the strong and longitude influences of parents part of child ego separates itself and create new demanding instance. Superego of course is not shape only by influences from parents, but also from general society, culture and race in which individual is raised.
In his case we are dealing whit perfect example of individual psychological economy, how individual canalising his basic instincts into socially accepted personal believes and social roles.
His acts and believes are centred on the idea of death. His obsession whit death is exposed through all the movie: His obsession with the death is not only a specific style. The Hogart Press and the Institute of Psychoanalysis, His religious inspiration comes from the Book of Tibet, which Mr. Kopfrkingl praises through the whole movie. Kopfrkingl psychical stated corresponds with the environment.
At the beginning he is well established and adjust member of civilised society. His extensive interest of death is expressed through his work as a cremator and through his unusual but acceptable artistic taste. He manages to satisfy his extraordinary tension of death drive in socially acceptable way. As Freud writs every man has some primary drives that are part of him as natural being.
With the development of human society this drives gained bad reputation and to satisfy them directly it started to be morally unacceptable. Hence man eventually had to adjust his behavior to new social conditions, what also changed his psychical state. Freud recognizes two sources of changes: Internal reasons are based on eroticism and man's need for love.
By the value of being loved we learn how to give up direct satisfaction of primary tensions. Through the processes of inhibition, channelization towards other goals, reaction formations, etc. This is also the source of bad conscience, which is a social anxiety, and not some profane trait that judge our behavior. Freud fined it interested that the children with especial strong bad tensions in their childhood usually grow in exceptionally good adults.
On the other hand external reasons do not have such profound effect. They are results of social constrains and not love relations , where one do not transform his unacceptable tensions, but only gives up to satisfy them, to be socially accepted.
But this is not always the case. We usually put great trust in others and judge their good act as results of his sincere internal positive motives, and not a result of strong external restrictions. Their real psychical tensions will only be exposed in extraordinary circumstance.
Especially in utilitarian societies external appeal satisfies the social demand for proper behaviors. By Freud opinion that was exactly the type of European societies at the beginning of 20th century. They worked on the base of sanctions for socially unaccepted acts and in lesser degree on love premiums. In the same way is depictured society in the movie. In the movie the social changes are triggered by German occupation of Czechoslovakia.
The new social pressures to adjust Nazi demands also change Mr. He fall under the influence of his Nazi friend and under Nazi ideology. The first explanation of this change could be that Mr. By Freud the general social situation do not leads to pathological states in this type of people, but they often have symptoms of characteristics deformations and are under permanent pressure.
The change in social demands that raise the gap between their actual behavior and the demands of their drives could leads to more severe reaction effects in the form of neurological sickness.
On the other hands, they use any social changes offered to satisfy the inhibited drives. Out of this three indicators Mr. Kopfrkingl fall only under the last one. He was well integrated in previews social system and he did not show any indication of pressure. There was also no indication of potential neurological sickness. Thus Mr. Kopfrkingl change of behaviour does not roots in the change of his psychical state from condition of permanent pressure of drives to the new conditions of satisfaction.
His change of behaviour roots in different psychological phenomena. Freud explains how sometimes human can fall back to more primary psychical stages, although they have already developed more sophisticated psychical structures. This is the consequence of specifics of psychical development. He compares it 8 Ibid. When a village grows into a city, the village gets lost in the city.
All that remains are only shadows of the village, while the substance is lost.