((DOWNLOAD)) EPUB Ultrametabolism: The Simple Plan for Automatic Weight Loss Ebook | Read online Get ebook Epub Mobi Click button. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share. Results 11 - 20 of Get your simple weight loss plan here! The weight loss is not about following the latest fad diet, nor denying yourself the simple pleasures.
|Language:||English, Spanish, Arabic|
|Genre:||Business & Career|
|Distribution:||Free* [*Register to download]|
[PDF] Download Good Pictures Bad Pictures Jr. A Simple Plan to Protect Young Minds Ebook Read online Get ebook Epub Mobi. 1. Download The Pumpkin Plan: A Simple Strategy to Grow a Remarkable Business in Any Field Download at. Ebook Pdf Ultrametabolismthe Simple Plan For Automatic Weight Loss contains important information and a detailed explanation about Ebook Pdf.
I am biding time until the kids move out and I can convert their rooms to libraries. But I labour in cross-media and think a heck of a lot about inclusion, diversity, and the reading experience. A doctrinaire approach to print books is, by its nature, exclusive and self-involved.
How on earth can I justify that? A little known fact is this: ebooks are not automatically accessible Learning how to design and publish inclusive content as a standard part of your workflow makes great business sense.
Being aware of how content and design may create barriers to reading also helps us generate new ideas and designs. It highlights opportunities to create solutions with utility and elegance that will create better books for everyone. Making Better Ebooks Electronic publications have great potential for users with print disabilities to gain access to information that might otherwise be inaccessible to them.
The advent of ebooks meant that for the first time in history, blind and other print-disabled users were able to gain access to the same books and publications at the same time as the rest of the population, at the same price. Readers with print disabilities access ebooks on computers or mobile devices using various assistive technologies, including screen readers, refreshable Braille displays, or screen magnification software.
They utilize a variety of gestures in mobile devices, or keyboard shortcuts on computers in order to execute functions. Digital content is inherently more flexible than hard copy.
It should be possible to use assistive technologies to read the text out loud with or without being able to see the screen. The user should be able to navigate easily and orientate themselves within the context of the content.
It should be possible for users to change colours or magnify text and have it reflow to fit the page. Of course, readers who cannot access print materials in a conventional way have different accessibility requirements: blind readers need to be able to navigate books like their fully sighted counterparts can, including moving between pages and chapter or section headings, and navigating to a particular section of interest from the table of contents; people with low vision or reading disabilities need to be able to adjust the presentation of content on a screen by, for example, enlarging the font size or changing font and background colours; and people with mobility impairments may need to be able to read and navigate digital books using voice commands or other assistive technology.
This, however, does not always happen. Depending on the aggregator, the publisher, and the format, readers with print disabilities can have very different experiences when trying to access a book. Many publishers and their suppliers are still clinging to EPUB 2, an inherently inferior product from an accessibility point of view.
Needs also are changing with the development of new technologies and the familiarity of younger people in particular in working with them. And they are busy. In , NNELS acquired 23, books — and spent hours remediating of those with their limited in-house staff. These are staggering numbers for a market the size of Canada. NNELS is both a digital public library of downloadable books and an advocate for an accessible and equitable reading ecosystem for Canadians with print disabilities.
NNELS supports principles of openness, inclusion, and choice. NNELS develops and maintains a digital repository of accessible titles for Canadians with print disabilities, available through Canadian public libraries, works to advance the agenda of accessible publishing, and builds capacity by providing employment opportunities for people with print disabilities.
Anyone with a print disability can request any title through one of those organizations, thanks to the copyright exemptions that come from Bill C, also known as the Copyright Act. They will download the ebook or print book and then do the incredibly laborious work of re-formatting it for its next reader —stripping junk HTML, OCR scanning, adding alt text, etc.
There are a lot of slap dash ebooks in the marketplace that are going to keep the remediation work going for some time. So what is this mythical print-disabled marketplace? Not so mythical at all. There are 37 million people in Canada; approximately 1. That number does not account for an ageing population. That figure ramps up to one in four by the age of As twenty-five percent of the population will be aged 65 or over by , that is a substantial chunk of readers. So that covers vision issues, but the term print disability is broad.
A chunk of the population has a physical issue that prevents them from holding and manipulating a book.
Listening to an audiobook while driving, or having voice aids read text aloud so the reader can be hands-free are good examples of that. A breastfeeding mother needs her hands for other things, for example. Someone who has a broken arm may have trouble navigating an ereader or website. There is a healthy market in readers with print disabilities. And there are some preliminary statistics that point to that group of readers being more voracious than the average.
The Italian accessibility organization, Fondazione LIA , points out that where texts are accessible to them, readers with print disabilities consume more than three times the number of books than the non-print-disabled population.
Font sizing, night mode, text orientation, reading mode, colour modifications, and screen magnification. The value of the global population of people with disabilities and their friends and family is 3.
Obfuscating Fonts Font obfuscation sometimes called mangling is a process for changing a font file so that it cannot be extracted from an EPUB file and reused in other contexts. Technically, this means modifying the first 1, bytes of the file. If you want the nitty-gritty technical details, please refer to the relevant section of the EPUB 3 specification.
Font obfuscation has been the source of much confusion. The confusion stems largely from the fact that, until recently, the IDPF and Adobe had competing font obfuscation algorithms, and reading systems supported one or the other.
If you used the Adobe obfuscation method, your embedded font would render correctly on maybe the NOOK but not in iBooks, and so on. Furthermore, an embedded and obfuscated font will render in all reading platforms that support embedded fonts. When you add obfuscation, you make it more difficult for a reader to unzip the EPUB file, extract the font, and install it on another system. When you add DRM, on the other hand, you encrypt the entire contents of the EPUB file, and you lock the reader into a single device or reading platform.
Because reading systems were split on which font obfuscation method they supported, EPUB creators were forced to create two versions of the file, one of each using the two methods. However, as of this writing, the major reading systems are no longer split in this regard and are using the obfuscation recommended by the IDPF. Therefore, preparing two files is no longer necessary. If you come by such advice on the Web, it is based on outdated information.
Previous versions of InDesign used the Adobe obfuscation method. The biggest offender in this regard is any version of Adobe InDesign before CS6, which uses the Adobe obfuscation method. Since InDesign is the tool of choice for many ebook creators who have not yet updated to version CS6, it is little wonder that there is so much confusion.
You can easily check which type of obfuscation your software is applying to a font. Look for a file named encryption. Simply changing a line in the encryption. You need a tool that employs the IDPF algorithm that is supported by the major reading systems. The fonts that I tested rendered as expected on the major reading platforms. Now that the reading systems are supporting the same obfuscation method, we should see more tools like Sigil emerge, which will make adding font obfuscation easier.
Subsetting a Font When you embed a font, you can optionally choose to subset it. When you subset a font, you include only the glyphs that you need, i.
If you were to subset the font before embedding it, the character information for the alpha would be thrown out since it is not needed in the context of your EPUB.
The primary advantage of subsetting an embedded font is that doing so reduces the file size, sometimes significantly. I then prepared yet another version of the EPUB, only this time I subsetted the font so that it included support for the 18 glyphs that I needed for the epigraph. The results were dramatic: the file size dropped from KB to 15 KB, and the characters rendered as expected.
You can subset a font and you can obfuscate a font, or any combination therein. And when and why do things go wrong?
Word has a set of rules built-in it that can convert its specially marked up text to other kinds of formats that it knows about. Some parts of the Word languages cannot convert easily to all parts of the XML language, because they were designed to control how the document looked when it was printed. Not all formats are designed for printing, as some formats are designed only for reading on computer screens.
What is the Mobi format? The mobi format is similar to the ePub format in that it takes HTML documents and resources images, fonts, etc and compresses them together into a single package.
However, the Mobi format has a specific way of compressing these files together that cannot be easily done with normal compression tools like 7zip or Winzip that people have on their system. So Mobi files need to be constructed by a tool that knows how to do this construction.
Mobi files are not actually read by modern Kindle readers, instead they are first converted to an AZW file. Why do PDFs look so weird on most eReaders?
PDF is very different from ePub and Mobi.
It does not use HTML. This rendering drawing only happens once: when the PDF is created, so content that broke across the line when the PDF was created will always break exactly the same way.
This is different from HTML, where the content is not rendered drawn until the screen shows it, and may be re-rendered if the screen changes size. What is the AZW format? AZW is a more general format that site has created for use primarily on their readers. AZW was originally just a wrapper around mobi files, but now is much more complicated. AZW files may contain an ePub inside of the book for Kindle readers that can read that format.
AZW also has a format for textbooks that is similar to PDF, because textbooks often have very complex layout requirements. What are other legacy formats, and when do they matter?
Many legacy formats such as lrf and pdb use HTML internally, and wrap the html with a mechanism to determine what order the chapters should be displayed in. They often differ in their use or selection of compression algorithm. Some formats, such as RTF, use a custom markup language. Some formats store images inline, while others store them separately.
Because eReaders are expensive, when possible, it is best to provide a copy in each major format from the last ten years. What formats convert well to other formats, and why?